iBadProductions

iBadProductions  /  Houston, Texas

Films, worlds, books — and the software that runs them.

A one-person studio. I write the world, produce the film, set the book, and build the system that ships it. Everything on this page is live and clickable, or it isn’t on this page.

The iBadProductions mark: an RGB glitch eye ringed by the studio name.

12

Episodes produced

391

Clips cut down to twelve

129

Print-ready plates, 7 volumes

7

Applications live in public

01

Running right now

Five public sites, all verified responding on 22 August 2026. Click any of them — that is the whole point of listing them.

Film / narrative site

The Fractured Archive

An episodic film site with a twelve-entry record and a release gate enforced on the server, not in the page. Ten episodes published, about 29 minutes of video live.

thefracturedarchive.org

Interactive web artifact

The Registry

A grimoire in four movements — Door, Registry, Oracle, Rite. 32 relics and 60 transmissions, 21 of 21 tests passing, with a published threat model that includes what it does not cover.

registry.thefracturedarchive.org

Storefront

The Reliquary

A catalogue of thirteen physical marks and seven colouring volumes, each with its own product photography and checkout.

reliquary.thefracturedarchive.org

Operations software

Loadout

Equipment inventory built for the photography company I work at. In use by seven people since June: 527 items, 40 recorded handoffs, 39 reservations, QR check-in and out, and reservations that refuse to double-book.

loadout.voxverra.com

Automation

Curio

A digest engine I built and run for myself: it watches its own sources, runs its own tests and takes its own backups without being asked. Not a product and not for sale — it is here because the machinery is the point.

curio.voxverra.com

The next one

Yours

Whatever you are making, it can be on this list — live, linkable and yours.

Start a project
02

What I make

01

Film and episodic series

Short films and episodic series taken from a source text through shot planning, production, grade, narration and a delivery pipeline that actually publishes them — renditions, posters, cache-busting and all.

  • Shot planning
  • Narration
  • Grade
  • 1080p + 720p renditions
  • Publish pipeline

12 episodes shipped

02

Worlds and narrative systems

A universe with rules that hold: canon, characters, a written voice, and the continuity machinery to keep a long work from drifting. Built to be extended by other people without breaking.

  • Canon and continuity
  • Character records
  • Voice guides
  • Long-form manuscripts

133 canon entries

03

Print and publication

Manuscript or footage to press-ready files. Real production specs, not approximations — trim, bleed, spine width from the printer’s own formula, bilevel interiors, blank versos where ink would bleed through.

  • Interiors
  • Covers and wraps
  • 300 DPI print-ready PDF
  • Typesetting

129 plates, 7 volumes

04

Interface and identity

Colour, type, grid, spacing, states and the actual screens — delivered as a working stylesheet and live pages, not a slide deck. No framework to go out of date, and every decision written down for whoever comes next.

  • Design systems
  • Live pages
  • Documented decisions
  • Offline-capable

45 interactive pieces, 45 territories

05

Software and internal tools

One tool for the thing your team currently runs on a spreadsheet, a whiteboard and a group chat. Roles and permissions, scan in and out, reservations that refuse double-bookings, email that actually sends, nightly backups.

  • Web app + installable PWA
  • Role permissions
  • Transactional email
  • Backups
  • Onboarding kit

In daily use by 7 people

03

How I work

Stage 1

Call

Thirty minutes, free. What you are making, what is in the way, and whether I am the right person. Sometimes the answer is no.

Stage 2

Written scope

A document you approve before anything gets made. If I scoped it wrong, I re-scope once at no cost.

Stage 3

Built in the open

You get a working URL or a first cut early, not a reveal at the end. Course corrections are cheap in week one and expensive in week eight.

Stage 4

Handover

Files, source and a written guide, in your accounts and your name. Nothing important stays on my machine.

Stage 5

Thirty days

Fixes after handover are included, not a line item. After that there is an optional care plan if you want one.

04

Method

Three hundred and ninety-one clips were cut down to twelve episodes. The first build of the colouring plates came out scratchy and broken, so it was thrown away and rebuilt from scratch rather than shipped. Every stock narrator voice was rejected in favour of my own. A composition signature collapsed 314 candidate pages to 230 unique ones, catching 47 near-identical repeats that a perceptual hash had missed.

The work is in the deciding and the discarding. Making a thing is the easy half. The job is knowing which one is right, how many attempts that takes, and being willing to throw away the first finished version when it is not good enough.

The same applies to the software. No frameworks, no build step, no dependency that can break on someone else’s release schedule — every application listed above is written against the standard library and will still run in five years.

05

Start a project

Tell me what you are making. I reply to everything within one business day, and I will tell you plainly if it is not something I should take on.

Or just email

[email protected]

A couple of sentences is plenty.